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truly fine merkin citizen, Rupert Murdoch, added them to his swagbag): in-
cluded are the imprints HarperCollins, HarperPrism, etc;

0-312- and 0-812- identify St. Martins Press (h/cvr & tp/b) and Tor Books
(mmp/b) respectively, Tor was formerly an independent publisher, though
the former prefix is now used on Tor h/cvr editions; i don't recall what
the St. Martins' isbns of Terry's early novels were, but they did not pro-
duce their own editions, iirc; rather, they re-dust-jacketed, and St. Mar-
tins-stickered, (run-ons of) Colin Smythe's editions for merkin distribn.
they were owned by Macmillan uk [not associated with Collier-Macmillan]
until february '98; all are now parts of Holtzbrinck Publishing Holdings;

0-425- and 0-441- are both identifiers of the Berkley Publishing Group,
until recently owned by Matsushita of Japan, were then sold off to the
canadadadian drinks giant, Seagram, and are currently being absorbed by
the merkin wing of Penguin, which has been renamed Putnam-Penguin, iirc.
0-441- indicates use of the Ace imprint, once an independent publisher;

0-451- indicates merkin imprints of New American Library (- originally
set up as merkin Penguin by Ian Ballantine and others; at the time they
started to publish merkin editions of Terry's books, they were owned by
Times-Mirror group of Los Angeles, and were the mother, or a sister, com-
pany of the british publisher, New English Library), Signet & Roc. They
are now imprints of Penguin, inc., or Putnam-Penguin (or whatever the
Great Penguin in darkest Harmondsworth has decided to call its merkin
publishing wing this week - possibly, "Dutton-Penguin"...). has also been
used by Penguin for Signet imprint in the uk - where, rather confusingly,
the Roc imprint borrowed from merkia uses the isbn prefix 0-140-. happily,
for booksellers, bibliographers and librarians ("ooook !"), no Signet/Roc
uk book contains aught by Terry  - leastways, not *yet*...

0-5521- and 0-55214- both indicate Prima Publishing, a division of Prima
Communications, Inc. - the former, in merkia, and the latter, in the uk;

0-7867- is the prefix for books published by Carroll and Graf;

0-894- identifies Workman Publishing, while

0-9630944- identifies Dreamhaven Books, and

1-55634- publications of Steve Jackson Games.


----------------------------------------
9.3 Non-english language editions' ISBNs.

"2-" identifies a french-language edition isbn ("2-08-" for Flammarion,
"2-266-" Pocket, "2-290-" J'ai Lu, & "2-905158-" l'Atlante); "3-" german-
language editions isbn (prefixes  "3-442-" indicating Goldmann, "3-453-"
Wilhelm Heyne, "3-8077-" 2001/Rogner & Bernhard). "83-" identifies the
polish language ("83-7120-" Dom Wydawniczy Rebis, "83-85661-" Proszynski
i S-ka); "88-" identifies italian ("88-04-" Mondadori, "88-7782-" Salani,
"88-200-" Sperling & Kupfer); "90-" dutch ("90-274-" Het Spectrum); and
"91-" swedish ("91-7898-" Target Games), language books' isbns.


----------------------------------------
9.4 Notes on book formats.

audio/b "Audiobook" - a reading of the novel, or an abbreviation of it,
        recorded on a number of compact cassettes. the Corgi audio/b range
        is of abridgements narrated by Tony ("Baldrick") Robinson, filling
        two cassettes per novel, running time circa three hours each; the
        Isis audio/b range is of the complete novels narrated by either
        Nigel ("Neil") Planer [or Celia Imries, on the first two witches
        novels] and occupying variously six, or eight, cassettes; running
        time varying widely between seven and a half, and eleven hours.
        Neither publishers' audio/b cassettes are differentiated in a way
        that blind or visually impaired (poorly-sighted) people can easily
        distinguish; this is of less consequence with the corgi audio/bs,
        as there are only two cassettes per novel to confuse; however, the
        isis audio/b packaging does allow strict order to be followed - IF
        the cassettes are ALWAYS returned to the appropriate position (and
        preferably, the earlier, "odd" sides uppermost).


h/cvr   "Hardcover" - the printed pages are published bound between boards
        (generally cloth-covered: hence h/cvr editions also referred to as
        "cloth"). the pages are properly sewn into signatures, and collec-
        ted by being sewn to cloth tapes, and sewn and glued onto a backing
        cloth, which is then glued to the inside edges of the cloth-covered
        boards. the endpapers are then glued in to cover the insides of the
        cloth-covered boards, and to the spine edges of the fly pages.

        n.b. the gollancz/cassell plc editions of The Witches Trilogy and
             The Death Trilogy are not so bound, being in effect p/bs which
             happen to have board covers...

        n.b. the gollancz/cassell miniature h/cvrs are not so bound, in that
             the cloth elements of a proper binding are completely omitted.

        [this note will need rewriting, should editions of Terry's books be
        published in quarter, half, three-quarter or full leather bindings.]


mmp/b   "Mass Market Paperback" - this term is descriptive of the distribut-
        ion system used to make these merkin p/bs available to the retailer;
        essentially, mmp/bs are treated as monthly magazines, their covers
        being stripped and returned for credit, if unsold on the arrival of
        the following month's titles. in _size_, the mmp/b is approximately
        the same as the uk "a format p/b"; but virtually all uk p/bs are in
        fact tp/bs. (cf. "p/b", "tp/b", "yp/b")


p/b     "Paperback" - the signatures are blocked together and then trimmed,
        with the resultant individual pages then being glued to the inside
        spine of a card cover (also known as "perfect" binding). although
        p/bs have been produced with their pages sewn in signatures, these
        in turn being glued either to the inside spine of the card cover (or
        first into paper or cloth tape) and this to the card cover, no such
        editions exist of Terry's books. [but see the feetnotes to "h/cvr".]
        the uk "a format p/b" is roughly the same size as the merkin mmp/b;
        the "b format p/b" is approximately an inch and a quarter taller and
        wider that the a format p/b. (see also "mmp/b", "tp/b" and "yp/b")
        n.b. p/bs listed above are a format p/b, unless otherwise indicated.


tp/b    "Trade Paperback" - this term is descriptive of the distribution
        system used to make these (nowadays mostly merkin, for fiction)
        p/bs available to the retailer; tp/bs are not sold via the news
        wholesalers, nor the retail outlets they supply (news-stand, chain-
        store and/ mom+pop store racks, etc.), but via the book trade.
        they are not "strippable for credit". the tp/b may be a p/b of any
        size, and so is not strictly of any particular format. (cf. "mmp/b",
        "p/b" & "yp/b")


yp/b    "Yuppieback" - this term is descriptive of the uk p/bs manufactured
        from trimmed signatures of the h/cvr printing: it is a recent uk
        innovation, normally published at the same time as, or three or six
        months after, the h/cvr. the term was derived from the somewhat res-
        tricted perceived custom for this edition: "those who can afford it
        (the space as well as the cost) buy the hardcover, and normal people
        like you and me buy the paperback: that only leaves yuppies, to buy
        the yuppiebacks." the yp/b is necessarily of the dimensions of the
        trimmed h/cvr edition signatures. (cf. "mmp/b", "p/b" and "tp/b")


----------------------------------------------------------------------------

            7/7/99 (7/7/99 for merkins) update and revision
             copyright (c) by p.pinto ppint@lspace.org

           further information, explanation and detail welcome...
                    love, ppint. (ppint@lspace.org)
      [follow-up set to "poster"; please remove "y" from reply-to line]

       [0] - "the perversity of the universe tends towards a maximum"
                                               - finagle's third law
--
    "the life of a vegetable is of absolutely no interest whatsoever -
     including to the vegetable in question. i speak from experience."
                 - ppint. at interstellar master traders
     lancaster's sf, fantasy & horror role-playing game and book shop

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